The Magical Musical Journey of Roy Wood: Unveiling His 20 Greatest Songs
In a world where Christmas cheer can sometimes overshadow an artist's entire body of work, it's time to shine a spotlight on the incredible Roy Wood, the man behind Wizzard's iconic sound. Prepare to embark on a musical adventure that will leave you wanting more!
- Wizzard's 'See My Baby Jive': A Sonic Extravaganza
As Bob Stanley so aptly put it, Roy Wood was a true super-fan, aiming to encompass all of pop simultaneously. And what a masterpiece he created with 'See My Baby Jive'! This chart-topping hit is a perfect blend of madness and brilliance, offering an euphoric chorus and a chaotic, maximalist sound. From unexpected key changes to a French horn solo, this song is a true joyride.
- The Move's 'I Can Hear the Grass Grow': A Psychedelic Journey
Step into the psychedelic world of The Move with 'I Can Hear the Grass Grow'. This track showcases the band's superior acid-induced state, yet it also hints at the overwhelming nature of the LSD experience. It's a powerful British psych single that still packs a punch today.
- Roy Wood's 'Forever': A Beach Boys-Inspired Delight
'Forever' is a gorgeous hybrid of the Beach Boys and Neil Sedaka, and it's no wonder it reached the Top 10. With Wood appearing on Top of the Pops in various guises within just 18 months, this song is a testament to his versatility and talent.
- The Move's 'Blackberry Way': A Baroque Pop Adventure
'Blackberry Way' marked a shift towards parent-friendly baroque pop, but it also highlighted Wood's restless musical spirit. Despite the departure of guitarist Trevor Burton and vocalist Carl Wayne's refusal to sing it, this fantastic melody soared to the top of the charts.
- Wizzard's 'Ball Park Incident': A Thunderous Statement
Wizzard's debut single was a bold statement, amplifying the influence of 50s rock 'n' roll that ran through glam. With its massive wall of sound, raw vocals, and an array of instruments, 'Ball Park Incident' is a head-turning masterpiece.
- The Move's 'Fire Brigade': A Pop Masterclass
'Fire Brigade' is a perfect example of relentless pop songwriting. Every second is packed with hooks and melodies, from Byrds-inspired jangle to incredible vocal harmonies. It's happiness captured in musical form!
- Roy Wood's 'Dear Elaine': A Timeless Baroque Beauty
Wood's debut solo album, 'Boulders', might just be his masterpiece. Despite being recorded years before its release, the album's timelessness makes it a perfect fit for any era. 'Dear Elaine' is a baroque masterpiece that transcends time.
- Wizzard's 'Angel Fingers (A Teen Ballad)': A 70s Remake
Think of 'Be My Baby' reimagined for the 70s, with lyrics that capture the dreams of a wannabe pop star. 'Angel Fingers' also ponders the transience of fandom, making it a thought-provoking and opulent listen.
- Wizzard's 'I Wish It Could Be Christmas Everyday': A National Treasure
While this song's annual success might overshadow Wood's other works, it's a testament to his ability to create something that becomes an integral part of our cultural fabric. The cash register sound at the beginning adds a touch of cynicism to this festive favorite.
- ELO's 'Look at Me Now': A Beatles-Baroque Fusion
Lynne and Wood had different visions for ELO, but when they came together, magic happened. 'Look at Me Now' showcases Wood's influence from baroque classical music, creating a unique sound with cello and oboe.
- The Move's 'Wild Tiger Woman': Ahead of Its Time
'Wild Tiger Woman' was an incredibly exciting single, but its dense and artificial sound might have been too far ahead of its time. With its rock 'n' roll influence and overheated production, it sounds more like a glam era track.
- Wizzard's 'Rock 'n' Roll Winter (Loony's Tune)': A Subtle Sequel
Viewed as a sequel to 'I Wish It Could Be Christmas Everyday', 'Rock 'n' Roll Winter' captures a different mood. It's a wistful and optimistic tune, perfect for the post-festive season.
- Roy Wood's 'Songs of Praise': An Instantly Familiar Melody
Written for the Eurovision, 'Songs of Praise' was too good to be limited to that competition. Wood's ability to create instantly familiar melodies is on full display here, making it a perfect example of his talent.
- The Move's 'Hello Susie': Pop Smarts Evolved
'Hello Susie' showcases Wood's pop intelligence applied to a new, heavier, and proggier era. Despite the commercial disaster of their second album, 'Shazam', this track is a testament to their enduring talent.
- Roy Wood's 'Why Does Such a Pretty Girl Sing Those Sad Songs': A Beach Boys Tribute
Wood's second solo album, 'Mustard', is a near-perfect follow-up to 'Boulders'. 'Why Does Such a Pretty Girl...' is a lush and beautiful homage to the Beach Boys, showcasing Wood's versatility.
- Wizzard's 'Meet Me at the Jailhouse': A Teenybopper Baffler
Wood was right about the differences between Wizzard's albums and their hits. 'Meet Me at the Jailhouse' is a 13-minute masterpiece that shifts between heavy riffs and free jazz, leaving teenyboppers baffled but music lovers enthralled.
- The Move's 'Brontosaurus': Proto-Metal with a Pop Melody
By the time 'Brontosaurus' was released, Wood's career was in flux. Yet, this track is a perfect blend of proto-metal and a great pop melody, showcasing his ability to straddle different genres.
- Wizzard's 'Indiana Rainbow': A Big Band-Influenced Surprise
'Indiana Rainbow' is a lost Wizzard gem, featuring a charming big band-influenced song and arrangement. Its surprising resemblance to Dr Buzzard's disco-swing sound might explain its delayed release.
- Roy Wood and Jeff Lynne's 'Me and You': A Glimpse into the Future
In the 80s, Wood and Lynne briefly reunited, recording tracks that were never released. 'Me and You' offers a tantalizing glimpse of what latter-day ELO could have sounded like, had Wood stayed.
- Ayshea's 'Farewell': A Psych Fan's Delight
Wood occasionally wrote for others, and his collaboration with girlfriend Ayshea Brough is a perfect example of his idiosyncratic pop skills. With its unique arrangement, including kettle drums and oboe, it's a treat for psych fans.
And there you have it! Roy Wood's 20 greatest songs, each with its own unique story. But here's the controversial part: which one do you think deserves the top spot? And what other Roy Wood gems did we miss? Let's discuss in the comments!
